![hitfilm express composite shot hitfilm express composite shot](https://dg2g5glj5c15l.cloudfront.net/wp-content/uploads/2021/06/Blog-body-How-to-composite-CamTrackAR-tracked-footage-in-HitFilm-rough-masking-960x540.jpg)
That is, imagine two layers that not only have the same position in 3D space but also have the same orientation. The special case mentioned above (where the order of layers in the layer list does actually matter for 3D layers) is when two or more layers are coplanar. In this case, HitFilm subdivides the layers according to the intersection causing one part of the white layer to be composited in front of the green layer, and the other part behind it. Two layers could have the same position in 3D space but have different orientations, causing them to intersect as in the following screenshot: It’s not just the Z position that determines which layer appears closest to the camera, though. In this case, layer 3 will appear closest to the camera, followed by layer 1, and finally by layer 2, because of the order of their Z positions. Using the above 2D layers example, let’s change all the layers to 3D and add a camera: 1: New Grade The order of the layer list doesn’t matter for 3D layers (except in one special case described below). When each layer is rendered, it is composited onto the previous result.ģD layers are rendered and composited according to their transformation in 3D space. In this case, the media layer is rendered first, followed by the plane layer, and lastly by the grade layer.
![hitfilm express composite shot hitfilm express composite shot](https://www.software3d.de/produktbeschreibungen/wp-content/uploads/sites/23/2020/04/HitFilm-Pro-14-2.jpg)
Consider a composite shot timeline with 3 layers: 1: New Grade the composite of Bonfire and Another Movie)įor 2D layers, the rendering and compositing order is the same as for clips and video tracks on the Editor timeline.ĢD layers are rendered bottom-up according to their order in the list, and each layer is then composited onto the previous result. Render ‘Explosion Composite Shot’ frame, and composite it onto what was previously rendered (i.e.Render ‘Bonfire Composite Shot’ frame, and composite it onto what was previously rendered (i.e.
![hitfilm express composite shot hitfilm express composite shot](https://i.ytimg.com/vi/pCZdDOlyT_E/hqdefault.jpg)
In the above example, at the playhead (Current Time Indicator) frame the rendering and compositing order is: The track rendering order is Video 1, then Video 2, then Video 3, and as each track is rendered the result is composited onto what was previously rendered and composited. Consider a timeline with 3 video tracks and some clips laid out as follows: Playhead Understanding HitFilm’s rendering order will save you countless headaches and help you achieve your desired results much quicker than otherwise.įor clips on video tracks, their rendering order is bottom-up by track. Thanks to Simon Jones for pointing out the error. EDIT (): Fixed ordering of groups in the example at the end.